Afterimage

Exhibition at MoA+L

On view July 26th, 2025 through October 20th, 2025 - Extended through February 15th, 2026



Video Editing: Johanna Brooks

Production assistants: Ani Kinney, Hannah Finnan, Emily Martinez, Cole Kennedy

Glassblowing at Englewood Arts: Swede (Phillip Hickok), Kevin Miller, Payton Koranek and Cole Kennedy.

Below images by T. Maxwell Wagner

Review by Andrew Johnson

Article by Sam Kricsfeld

The exhibition has been generously supported by Kemper Family Foundations, UMB Bank, n.a., trustee, the Jewish Art Fund of the Jewish Community Foundation of Greater Kansas City. Complemented with loaned artwork from Michael and Renanna Abrams and Yaniv Stern.
See additional
acknowledgments below.

The Day Lasts More Than a Thousand Sunsets, 2022-2025, installation detail, Afterimage, MoA+L

Exhibition Introduction
by Jori Cheville, Director of Curatorial Affairs at the MoA+L
July, 2025

'Afterimage" is a multidisciplinary body of work by artist Rae Stern that explores the layered relationship between landscape, memory, and belonging. Rooted in personal history and shaped by archival fragments, the project investigates how places hold far more than meets the eye, and how they are experienced differently by those who know them through daily intimacy, those who carry their descriptions into the distance, and those who encounter them from afar. 

The starting point for this investigation was an invitation to explore the Truman Library archives, where Stern discovered the dossier of Charles F. Knox, an American diplomat whose brief tenure in Israel coincided with the state's founding years. Stern was drawn to the gap between Knox's formal role as a diplomat acting as an outsider observer, and the more candid, vulnerable voice that emerged in his private correspondence. This tension between proximity and distance, between seeing and comprehending, became central to the work.

Returning to the landscapes referenced in the photo album and letters included in the dossier, Stern revisited these sites not as an outsider, but as someone shaped by belonging, absence, and change. By shifting her gaze and selecting specific vantage points, she tells a nuanced story of the landscape, often overlooked by outsiders. Her works range from translucent handmade paper to sculptural glass, video, and photography. They carry complex histories, yet evoke the fleeting, fragmented, and fragile nature of memory. Some images reveal themselves only when illuminated from behind; others fade, shift, or resist resolution. 

The exhibition Afterimage debuted in July 2025 at the Museum of Art + Light (MoA+L), in Manhattan, KS. Curator Jori Cheviile, brings together artworks from several bodies of work created by Stern during her residency as visiting artist at the Englewood Arts Center in Missouri. The selection includes artworks from Afterimage (works in paper and video), Attempts at Coexistence (works in glass and stone), and The Day Lasts More Than a Thousand Sunsets (multimedia installation).

In ''Afterimage", Stern does not attempt to present a singular narrative of the land. Instead, she invites reflection on how histories are constructed, how physical and emotional borders shape perception, and how meaning persists or dissolves across time and space. Her materials mirror those of the historical archive, yet she imbues them with emotions and personal experience. 

To prepare for this project, Stern returned to her native Israel. Along this exploratory journey Stern documented her observations via photography and video. She then reconstructed select scenes by juxtaposing materials typically found in historical archives; such as paper, photographic prints and video.
View artworks …

Afterimage

The Day Lasts More Than a Thousands Sunsets

The Day Lasts More Than a Thousand Sunsets stems transforms an antique filing cabinet from a symbol of institutional memory into a porous archive of lived experience. Continual waves break against the shore, suggesting an oceanic archive that is vast and alive.
View installation …

Attempts at Coexistence emerged from a series of experimental sculptures. Drawn to the medium’s symbolic potential, Stern worked with expert glassblowers on a series of tests, combining molten glass with rocks collected from Israel, despite warnings that the materials were thermally incompatible.
View collection …

Attempts At Coexsitence

Acknowledgments

This exhibition has been generously supported by Kemper Family Foundations, UMB Bank, n.a., trustee, the Jewish Art Fund of the Jewish Community Foundation of Greater Kansas City, and complemented with loaned artwork from Michael and Renanna Abrams and Yaniv Stern.

Sincere thanks go to the leadership and vibrant community of Englewood Arts, whose collaborative energy shaped every phase of this work, and especially: GK Callahan and Jason Conaway, Darlene Carpenter and Tammy Parsons, Byron and Jane Constance, Peyton Follis, Cheryl Gail and Jim Baggett, KE Griffin, Robb Gann, Bill McLeod, Thad McCullough, Steven Potter, Brent Schondelmeyer, Monty Short and DeAnna Skedel.

With appreciation for their expertise and thoughtful counsel, Stern thanks: Craig Berscheidt, Shannon Brock, Elad Debi, Adva Dror, Jorge García Almodóvar, Bryan LeBeau, Johnny Mansour, Shirai Neumann, Timna Neumann, Hall Rockefeller, Dan Saal, Steve Schechter.

Lastly, the artist would like to thank the participants, friends and family members whose support enriched this project: Yossi Abta, Frieda Badran, Ami Cohen, Gil & Leah Elisha, Lucy Feller, Forsan Hussein, Alon Harris, Hadar Hermon, Noam Hermon, Dima Khavin, Yael Limoni Merkel, Efrat Manaster, Miriam Manaster, Stacey Menchel Kussell, Pini Moshe, Martin Rosenberg, Miriam and Dan Scharf, Sigal Seeber, Melanie Sherman and Philipp Eirich, Marla and Gideon Stein, Ben and Elia Stern, Hadassah Tamir, and Marta Wolf.

Special thanks are extended to those whose generosity, encouragement, and belief in this project were vital to its completion: Michael Abrams, Michael Baxley, Teresa Dorsch, Joan and Steve Israelite, Mary Kemper-Wolf, Jason and Leah Maki, Yaniv Stern, Patricia Uhlmann, and Laura and Alan Voss.

The artist is also deeply grateful to the art production team, who supported the artwork production process with dedication and skill: Johanna Brooks, Hannah Finnan, Swede (Phillip Hickok), Cole Kennedy, Ani Kinney, Payton Koranek, Kevin Miller, Emily Martinez, and Brandon Schnur.

Debuting at the at the Museum of Art + Light, the exhibition was shared with the public thanks to the efforts of the museum team led by Erin Dragotto, the executive director, Jori Cheville, the director of curatorial affairs, Kristy Peterson, VP of leaning, engagement and visitor experiences, Sydney Bouhaniche, creative director of immersive exhibitions, Lisa Highsmith, collections manager and registrar, Lathan Mastellar, immersive exhibition project manager, and the expert art handling team at ARTworks of KC.

The Project was supported by the Visiting Artist Program of